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Duration: 8 MinVersion: CS3Plugins: Yes
In this tutorial, Aharon Rabinowitz shows you how to clean up (remove noise) and add life to interview footage through color correction with some red giant plugins and After Effects.
Duration: 5 MinVersion: CS4Plugins: Yes
In this QuickTip, Aharon Rabinowitz explores the Kaleidospace features of Trapcode Form to create 3D mirrored kaleidoscopic effects.
Chris & Trish Meyer “Chapter 8 of CMG5 covers motion blur as well as echo-style effects. Here’s a few tips on these subjects, including using a stock After Effects plug-in to fake motion blur in footage that doesn’t have enough”
Allows you to render your Render Queue in the background while you can continue working in After Effects. The pro version can also notify you via email, sms or iPhone push notification when your renders are done or have an error plus many other new features.
Rich Young bring to us throught his blog a selection of tutorials to work with camera inside After Effects, how create orbit camera, create rigs, use graph editor and a lot of interesting knowledge. One coauthor of “Creating Motion Grapics with After Effects” (A great book) Chris Meyer, has wrote about this, and Rob Birnholz, author of the video set Pro Training for the After Effects Camera, too.
So you’ve mastered keyframing, become an Easy Ease assassin, even tackled adjusting velocity and other curves with the Graph Editor, but you still need to find a way to tweak your After Effects projects even further? then you need Expressions.
Scott Simmons looks at Magic Bullet Suite 10’s new Denoiser plug-in at PVC. Among the details is to apply noise reduction before color correction, something recommended by Stu Maschwitz. There’s also a generous link to a Cow tutorial by Michael Park, Grainy Footage Rescue using Magic Bullet Denoiser.
Graph Editor allows you to more tightly modify them with a bezier curve making it easier for visual creators. All said, the work you do in the Graph Editor gives your animation a more realistic nature.
Have you had a layer full of keyframes that needed to be adjusted in length but you dreaded it because you didn’t want to have to adjust each individual keyframe? Well, you don’t have to with roving keyframes.
Rich Young list in his blog several options to provide a color swatch in After Effects.
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